bjnicholls
September 5th, 2003, 07:16 PM
I decided to look more closely at how Adobe Camera Raw and the new Fuji EX converter handle .raf conversions. I initially wanted to see how far off the ACR color balance would be compared to the "as shot" white balance from EX. ACR does require a lot of adjustment to match the color temp set in the camera, but I expected that from earlier experience.
I discovered something I haven't seen mentioned before. ACR holds highlights from the raw file much better than EX does. I made conversions using the EX converter's lowest contrast setting - "original" and made conversions to hold as much highlight information as possible. No matter what I tried, even making a custom low contrast curve, the EX converter posterizes the highlight values and ACR doesn't. Here are some image links that show what I'm talking about from a couple of images:
My 60mm Micro Nikkor watch test shot:
http://users.sisna.com/bjnicholls/darkroom/watch-small.jpg
A pair of 100% details that show ACR does quite a good job with image quality. All of these images have ACR's sharpening and smoothness sliders set to zero:
http://users.sisna.com/bjnicholls/darkroom/EX-ACR-1A.jpg
Now look at the highlights on the watch stem. Notice how, despite my best efforts, EX blows out considerable highlight area detail:
http://users.sisna.com/bjnicholls/darkroom/EX-ACR-1b.jpg
My library interior test shot using the 12-24mm Nikkor:
http://users.sisna.com/bjnicholls/darkroom/libraryinside.jpg
A 100% detail showing ACR's slightly more prominent aliasing (reported by others, but not at all bad if you use the settings I did):
http://users.sisna.com/bjnicholls/darkroom/EX-ACR-2a.jpg
Now a crop (not 100%) that shows how badly EX blows out and posterizes highlight details compared to ACR:
http://users.sisna.com/bjnicholls/darkroom/EX-ACR-2b.jpg
EX is a very poor tool for retaining the highlight range from .raf files. I think ACR's slightly coarser aliasing (only visible in certain image areas) is less problematic than this blowout issue, or even the color hassles that can be corrected. I'm very surprised and disappointed by the EX converter's performance. It's past time for Fuji to publish file specs so that ACR can be optimized for .raf files and we can have a tool that delivers all the raw format potential.
I discovered something I haven't seen mentioned before. ACR holds highlights from the raw file much better than EX does. I made conversions using the EX converter's lowest contrast setting - "original" and made conversions to hold as much highlight information as possible. No matter what I tried, even making a custom low contrast curve, the EX converter posterizes the highlight values and ACR doesn't. Here are some image links that show what I'm talking about from a couple of images:
My 60mm Micro Nikkor watch test shot:
http://users.sisna.com/bjnicholls/darkroom/watch-small.jpg
A pair of 100% details that show ACR does quite a good job with image quality. All of these images have ACR's sharpening and smoothness sliders set to zero:
http://users.sisna.com/bjnicholls/darkroom/EX-ACR-1A.jpg
Now look at the highlights on the watch stem. Notice how, despite my best efforts, EX blows out considerable highlight area detail:
http://users.sisna.com/bjnicholls/darkroom/EX-ACR-1b.jpg
My library interior test shot using the 12-24mm Nikkor:
http://users.sisna.com/bjnicholls/darkroom/libraryinside.jpg
A 100% detail showing ACR's slightly more prominent aliasing (reported by others, but not at all bad if you use the settings I did):
http://users.sisna.com/bjnicholls/darkroom/EX-ACR-2a.jpg
Now a crop (not 100%) that shows how badly EX blows out and posterizes highlight details compared to ACR:
http://users.sisna.com/bjnicholls/darkroom/EX-ACR-2b.jpg
EX is a very poor tool for retaining the highlight range from .raf files. I think ACR's slightly coarser aliasing (only visible in certain image areas) is less problematic than this blowout issue, or even the color hassles that can be corrected. I'm very surprised and disappointed by the EX converter's performance. It's past time for Fuji to publish file specs so that ACR can be optimized for .raf files and we can have a tool that delivers all the raw format potential.